dauncosony wrote:Could any of you guys be kind enough to post references to the descriptions of armors in the books? I know it's strange for the artist requesting for a reference like this, but I'm a bit busy with other paintings as well and if any of you guys have the time, please post those references for us artists!
100(ish) years war (1330's-1450's)
The best sources in my experience are illustrative history books (check out the Osprey books), historical re-enactment group sites and the trusty internet search engines. You can also find photo galleries including all sorts of images of arms, armour and outfits from armour and costume collecting enthusiast websites (
http://www.vikingsword.com/vb/index.php?) + (
http://www.outfit4events.com/index.php). I have even used medieval themed miniatures as a good source of reference and/or inspiration (
http://www.miniaturenland.de/en) + (
http://www.valdemar2012.expositus.com/default.asp?Site=Galleri) . There's also lots of 'low' fantasy art work by lots of artists that can be inspiring, look at other games for inspiration too. Then there are films that can be viewed to get the creative juices flowing. An oldie but goldie 'Knights of the Round Table (
http://www.youtube.com/watch?v=h_hpJgsVXxI&NR=1) [I know it's way before the 100 years war but the tabbards and CoA are fantastic, the costume design for its day is excellent.] I have lots of online sources I can share with you. If you have skype or msn I can send you over my bookmarks. Then there are the descriptions
Combine that with what we know of the cultures and houses of Westeros and you can start developing unique designs for the various cultures.
I know how beneficial it is to take inspiration from a wide range of sources and in the context of this mod with particular emphasis on our historical counterparts. The descriptions in the book aren't well detailed, but from interviews and correspondence from Martin we know that his vision is based on history (and specifically a technological and cultural equivalent of 1337-1453). I also think it is best that the artist themselves do the research, or at least a good bulk of it. That way they have an idea of what sort of thing they are looking for and it really helps to develop the design and concept in their heads. A very important process to work like this is doing the research.
With regards to book descriptions, here is a little essay of sorts. It focuses on just a few little snippets from A Game of Thrones. Upon reading it anyone with an imagination can begin to form an idea of design when reading the description of an outfit/costume. It points out the overall historical basis of design for the description of the outfits with some slight fantasy elements (the Knightly helms with their themed helmets, almost like the historical 'crests'):
The following excerpt from A Game of Thrones (Bantam Trade paperback edition (c) 2002) highlights the difference between a knight and a household guard when it comes to their armament. It compares the Lannister red cloaks in King's Landing at the time of King Robert's death to a knight of the Kingsguard, which may seem an unfair comparison, excepting the fact that at that point in time, the red cloaks are actually the standing household guard that was sent to KL from Casterly Rock, so as a point of comparison, you are likely looking at the best armed and armored knighthood in the land paired with the best armed and armored household guard in the land.
This comes from the fight between Syrio Forel and Ser Meryn Trant of the Kingsguard (with the support of the Red Cloaks):
"The red cloaks came at him from three sides with steel in their hands. They had chainmail over their chests and arms and steel codpieces sewn into their pants, but only leather on their legs. Their hands were bare, and the caps they wore had noseguards but no visor over the eyes." (pg 446)
This compares to the Description of Ser Meryn later in the page:
"...the knight in his pale armor head to foot, legs, throat and hands sheathed in metal, eyes hidden behind his high white helm, and in his hand cruel cruel steel. Against that: Syrio in a leather vest, with a wooden sword in his hand." (pgs 446 and 447)
It continues to describe the battle:
"Syrio danced away from his cut, his stick a blur. In a heartbeat, he had bounced blows off the knight's temple, elbow and throat, the wood ringing against the metal of helm, gauntlet and gorget." (pg 447)
I've included art of Ser Meryn showing him sans helm. The comparison here could be seen as imperfect, given that a household guard in the city and a household guard at war might be far different, I for one am not sure that you can't infer a 'war stance' from what they're already wearing. I offer another comparison of one on one combat from earlier in AGoT during the trial of Tyrion Lannister by battle between Ser Vardis Egen and Bronn.
"Ser Vardis Egen was was steel from head to heel, encased in heavy plate armor over mail and padded surcoat. Larger circular rondels, enamled cream-and-blue in the moon-and-falcon sigil of House Arryn, protected the vulnerable juncture of arm and breast. A skirt of lobstered metal covered him from waist to midthigh, while a solid gorget encircled his throat. Falcon's wings sprouted from the temples of his helm, and his visor was a pointed metal beak with a narrow slit for vision.
"Bronn was so lightly armored he looked almost naked beside the knight. He wore only a shirt of black oiled ringmail over boiled leather, a round steel halfhelm with a noseguard, and a mail coif. High leather boots with steel shin guards gave some protection for his legs, and discs of black iron were sewn into the fingers of his gloves." (pg 365)
I would suggest that most Men-at-Arms would have an approximate arming similar to Bronn's, perhaps a little bit more rugged. It is difficult to judge because outside of Knights, we get very little detail of how everyday troops go about their business (outside of the Ironborn). It's talked about time and time again how many of the troops aren't professional soldiers, that they are instead the Lords' smallfolk who are being taken away from their fields just at the time of harvest, just before the Winter. Middling units may add a simple gorget or heavier gauntlets, especially if they're swordsmen.
Please PM me if you would like those resource and research book marks and I can give you contact details. I hope this helps.